Home again ... and happy new year!
'm leaving for India, once again in Gujarat to make a documentary on the work of women's weaving. Weaving their fates through the cloth embroidered and encrusted with beads and mirrors the traditional Rabari, but also the Silk Patola, up to the white khadi and Gandhi's simple.
I leave you with a mini report on the production of turbans - intended for tourists - a guy she worked on a terrace roof of pink Jaipur.
Happy New Year to all!
Thursday, December 30, 2010
Saturday, December 25, 2010
Friday, December 24, 2010
Pilonidal Cyst Sebaceous
Nature never makes "things" the same!
Yes, as we strive to make a product is always the same, we realize that using real ingredients, the cookies are always different even within a certain range.
Yes, as we strive to make a product is always the same, we realize that using real ingredients, the cookies are always different even within a certain range.
In fact, when you use butter, olive oil, fresh eggs ... it is known that the percentage of components (water, proteins, sugars, ...) present in the ingredients themselves are constantly changing and so even if in production we can "adjust" the mix based on its consistency there will always be some variability. Therefore the product final will be slightly more or less brittle, more or less colorful ... but always good, tasty and 100% genuine!
This is to respond to the many consumers who want a side of a product made with fresh ingredients and always want the other side is identical to the previous production. You must choose which road to take and be aware that only with ingredients adjusted in the laboratory and chemical agents (enhancers, stabilizers, margarine, ...), as opposed to natural ingredients, you can get standardized products and are therefore always the same.
Standardization always clashes with nature!
Sunday, December 19, 2010
Weird Numbness In Face
House
Sabarmati Ashram , Ahmedabad, January 2010
In these busy days before Christmas (and the departure for India in January), I'm devoting most of my time looking for a new home. I was reminded of a quote from Gandhi that someone has painted on a board and hung on an outside wall of his house on the banks of Sabarmati, Ahmedabad.
I also think that the home of Gandhi, as well as all of us, first of all is our mentality, our language, our body. The way we inhabit the world and watch it transform.
But maybe I've found the house ... we will see developments
great week everyone!
Friday, December 10, 2010
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"The most important things in our lives are neither extraordinary nor grandiose.
are the moments when we feel touched each other."
Wednesday, December 8, 2010
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Panettoni industrial ball Altroconsumo all. Severe or realist?
who follows in a while 'this blog has certainly realized that I side, at least, very critical for industrial products. Of course, some might say that he has an interest (wrong, because an artisan product from head to toe it can not be in competition with an industrial product). But certainly the way of acting giants of the ambiguity of food certainly makes me be in good company among the critics of mass-produced, if I pass this term.

who follows in a while 'this blog has certainly realized that I side, at least, very critical for industrial products. Of course, some might say that he has an interest (wrong, because an artisan product from head to toe it can not be in competition with an industrial product). But certainly the way of acting giants of the ambiguity of food certainly makes me be in good company among the critics of mass-produced, if I pass this term.
the screen, this time, there THE Christmas cake: that is Panettone.
And this time, to inveigh against known brands, not just me. But Altroconsumo. That ball 15 out of 15 brands. We're talking names like Trunks, Balocco, Motta, Baptistery, and other Paluani. Laboratory tests were made real, and were also analyzed raw materials. The only survivor, a little, is the Tre Marie panettone. But just a little '. The lowest common denominator of the disaster of our industrial production is this: bitter crust, rising hastily and incorrectly implies that lack of softness and fragrance, raisins poor quality and too sour.
This is, say, the raw data base to which of course we have to add some observations.
yeast, but almost never true sourdough
a baked cake can be called only if it contains, in addition to specific percentages of raisins, candied fruit, etc.. pre-established, the leaven. It 'the law to say it. But the name "sourdough, sourdough ..." is at least very general. This ambiguity has led to the birth of what I like to call "the magic polverette. We speak of "nuclei panettone, mix (ie semi-finished ready to make panettone) and yeast powder which certainly facilitate the process and shorten them, but inevitably penalize the finished product (of which I already written in this post ).
Panettoni first, second and third-tier
Many large companies have, as a flagship product, just the cake, bring different qualities of the same cake. A clearly different prices. The end of last (the worst, qualitatively speaking) is what is, needless to say, in the supermarkets at bargain prices. The other, better, run them in different ways (you have to order them, for example ...). Here I am furious: it seems to me quite a joke for consumers to make panettone Series A and Series B (but there is a reason and covers retail, but there would take a separate blog to talk about it ....).
The different opinions
The news I learned from The future consumption, a blog that often follows is very well written and done. But I beg to move away from excessive gooders shown: "This rejection is out of tune [...] in most cases the number of eggs, butter, raisins exceed the statutory minimum" . We know that making the quality of a product often is not the quantity but the quality of an ingredient. Then, in yeast products, yet the first ingredient is the quality of the process of proving that it is of primary importance: without natural yeast fermentation and the right time you will never make a good product leavened (be it cake, but bread, pizza that ...). And yet "... reject the entire Italian production does not make sense ...". Thankfully, that there is not the whole Italian production. There are plenty of talented artisans who make wonderful products and true panettone. Unfortunately, not always accessible at a price ... but I always say better to eat something good but .
But even the craftsmen not joking ...
In all honesty, I must admit. Even if I am a great defender of the class, many alleged artisans selling off their trade manufacturing products that really low level. I happened, in my frequent tastings (yes, I do not eat only my panettone), eat panettone on 25 Euro per kg (then a lot ') inedible (some were totally acids, others were of the chewy as bubble gum ). Much better than those on industrial rejected at this point! So it takes a lot of attention there, too: do not trust dell'incarto hand and the word "craft". Try it first! Always!
conclusion
Panettone is the top product of Italian pastry. It has a huge resonance around the world precisely because, to do well, it is difficult e richiede enormi sacrifici (vi rimando al post precendente per vedere uno dei tanti modi per fare un panettone davvero artigianale e davvero a lievitazione naturale). Quindi vedendo bocciati panettoni che, in offerta, escono a 1.99 Euro...beh non ne sono proprio per niente sorpreso e sotto sotto, ne sono contento.
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The paradox of art
These days I'm covering a very stimulating interview Kapila Vatsyayan, dancer of Indian classical dance and then founder and director of the National Center for the Arts Delhi's Indira Gandhi (pictured).
It is a monologue on the various aspects of art in the Indian tradition.
The Vatsyayan questions - among others - on the definition of art and tradition as a source for artistic forms.
In India the tradition 'Parampara' is never a static dimension: it is rather a continuous flow over time within well-defined tracks of an expression that changes and transforms.
A tradition can survive only if at the same time there is continuity and change.
Artistic expression then - in the form of storytelling, dance, music, sculpture, etc.. - Must flow along a certain predetermined direction, but as it flows generate changes. In other words, the tradition does in the metamorphosis of some basic laws that fanno da sostegno e da guida.
Questo particolare sistema di accettare il cambiamento come parte integrante della vita in continua trasformazione ha fatto sì, per esempio, che alcune storie cosiddette 'tradizionali' in realtà vengano raccontate in modi sempre diversi.
Lo sto constatando quotidianamente mentre collaboro alla stesura di alcune fiabe indiane che andranno a far parte di una antologia illustrata per la Mostra Internazionale dell'Illustrazione per l'Infanzia di Sarmede del 2011.
E' una bellissima occasione per approfondire e riprendere le fiabe del Pancatantra o alcuni miti contenuti nei poemi epici o nei Purana.
E' anche una sorta di viaggio nell'immaginario più semplice e potente in grado to tell the world through the eyes of wise animals, foolish Brahmins, imperfect deity, through an endless chain of events that tell the true and recreate, as if by transmigrating from one body to another.
These days I'm covering a very stimulating interview Kapila Vatsyayan, dancer of Indian classical dance and then founder and director of the National Center for the Arts Delhi's Indira Gandhi (pictured).
It is a monologue on the various aspects of art in the Indian tradition.
The Vatsyayan questions - among others - on the definition of art and tradition as a source for artistic forms.
In India the tradition 'Parampara' is never a static dimension: it is rather a continuous flow over time within well-defined tracks of an expression that changes and transforms.
A tradition can survive only if at the same time there is continuity and change.
Artistic expression then - in the form of storytelling, dance, music, sculpture, etc.. - Must flow along a certain predetermined direction, but as it flows generate changes. In other words, the tradition does in the metamorphosis of some basic laws that fanno da sostegno e da guida.
Questo particolare sistema di accettare il cambiamento come parte integrante della vita in continua trasformazione ha fatto sì, per esempio, che alcune storie cosiddette 'tradizionali' in realtà vengano raccontate in modi sempre diversi.
Lo sto constatando quotidianamente mentre collaboro alla stesura di alcune fiabe indiane che andranno a far parte di una antologia illustrata per la Mostra Internazionale dell'Illustrazione per l'Infanzia di Sarmede del 2011.
E' una bellissima occasione per approfondire e riprendere le fiabe del Pancatantra o alcuni miti contenuti nei poemi epici o nei Purana.
E' anche una sorta di viaggio nell'immaginario più semplice e potente in grado to tell the world through the eyes of wise animals, foolish Brahmins, imperfect deity, through an endless chain of events that tell the true and recreate, as if by transmigrating from one body to another.
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